How Photographers Used the Serial Portrait to Reveal Themselves, and America
[Image: Emmet Gowin. Edith and Moth Flight (detail), 2002. Inkjet print. 19 x 19 cm (7 1/2 x 7 1/2 in.). National Gallery of Art, Washington, Charina Endowment Fund. © Emmet and Edith Gowin. Courtesy Pace/MacGill Gallery, New York.]
[Many thanks to the National Gallery of Art, Washington, DC, for the image above and other press materials related to the exhibition The Serial Portrait: Photography and Identity in the Last One Hundred Years, which runs through December 31, 2012.]
CONVERSATION