How Public Art Exists More in Our Minds than in Some Place
In the wake of the Dr. King Memorial kerfuffle, I’ve been thinking more and more of how public art is a state of mind as much as a physical thing in a physical place. In an article in the inaugural issue of Public Art Dialogue, Joshua Fisher argues that Gutzon Borglum’s Mount Rushmore National Memorial and Robert Smithson’s Spiral Jetty exemplify this dual nature of public art, specifically in their relationship to the idea of American “Manifest Destiny.” By examining what Borglum said in his sculpture versus what his “antithesis” Smithson said in his earth art, Fisher sheds new light on each work and provides a template for analyzing the MLK monument and those that will follow. Please come over to Picture This at Big Think to read more of "How Public Art Exists More in Our Minds than in Some Place."
