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júní 2012
You’d think that a giant retrospectiveat the National Gallery of Art in Washington, DCwould, at least momentarily, make George Bellows the king of the art ring. But once again Bellows finds himself the disputed champion of the sports-related paintings that made him an acclaimed artist in his own time before his tragic death at the too-young age of 42. The New Yorker’s Peter Schjeldahl’s review (titled “Young and Gifted”) raises the typical and, I believe, unfair criticisms of Bellows, who is too often diminished for the things he wasn’t and not often considered for the things that he was in the short time he had to do them. For someone who should stand among the first rank of American artists, why does George Bellows take such a critical beating? Please come over to Picture This at Big Think to read more of "
Why Does George Bellows Take Such a CriticalBeating?"
[Image: George Bellows. Stag at Sharkey's, 1909. Oil on canvas. Framed: 110.17 x 140.5 x 8.5 cm (43 3/8 x 55 5/16 x 3 3/8 in.). Unframed: 92 x 122.6 cm (36 1/4 x 48 1/4 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection.] [Many thanks to the National Gallery of Art in Washington, DC, for providing the image above and other press materials related to the exhibition George Bellows, which runs through October 8, 2012.]
[Image: Bathers by a River, March 1909-10, May-November 1913, and early spring 1916-October (?) 1917. Henri Matisse, French, 1869-1954. Oil on canvas, 102 1/2 x 154 3/16 inches (260.4 x 391.6 cm). The Art Institute of Chicago, Charles H. and Mary F. S. Worcester Collection.] [Many thanks to the Philadelphia Museum of Art for the image above from, other press materials related to, and an invitation to the press preview for Gauguin, Cézanne, Matisse: Visions of Arcadia, which runs through September 3, 2012.]
