Why Walker Evans’ American Photographs Feel Like Déjà Vu
Seventy-five years ago, The Museum of Modern Art staged their first exhibition devoted to the work of a single photographer—Walker Evans: American Photographer. That show brought together many of Walker Evans’ photographs done for the Farm Security Administration (FSA) to record life during the Great Depression. With Walker Evans: American Photographs, which runs through January 26, 2014 at the MoMA, it’s déjà vu all over again as America finds itself mired in another economic crisis and Evans’ art holds up a mirror. As apolitical as Evans himself, Evans’ photos show an America of the past that looks and feels like the America of today, while also giving a message of hope for the future. Please come over to Picture This at Big Think to read more of "Why Walker Evans’ American Photographs Feel LikeDéjà Vu."
[Image: Walker Evans (American, 1903–1975). Parked Car, Small Town Main Street. 1932. Gelatin silver print. 5 1/2 x 8 15/16″ (14 x 22.7 cm), printed c. 1970 by James Dow. Lily Auchincloss Fund. Credit: The Museum of Modern Art. © 2013 Walker Evans Archive, Metropolitan Museum of Art.]
[Many thanks to The Museum of Modern Art for the image above and press materials related to Walker Evans: American Photographs, which runs through January 26, 2014.]