News Art Blog

Sometimes the toughest shadow to escape is one you cast over yourself. When artist Art Spiegelman began publishing Maus in 1980 in chapter form in the indie comics magazine Raw, which he co-founded with his wife Françoise Mouly, he couldn’t have guessed that his artistic journey into his family’s past and the Holocaust would lead to a PulitzerPrize in 1992. Spiegelman’s career stretched back to the 1960s (and Maus itself began in 1972 with a 3-page comic), but he never experienced the recognition that Maus could bring. In The Jewish Museum, New York’s new exhibition Art Spiegelman’s Co-Mix: A Retrospective, which runs through March 23, 2014, we see not only what led up to Maus, but also what’s led from it. Co-Mix is as much the story of the man who made Maus as the story of how a comic innovator and visionary escaped the snares of fame and made it out more creatively alive than ever. Please come over to Picture This at Big Think to read more of "How Art Spiegelman Is More Than Just Maus."

“My earliest memory is of anxiety!” cartoonist Daniel Clowes tells an interviewer in The Art of Daniel Clowes: Modern Cartoonist, the first serious monograph of the work of this seriously funny and seriously ambitious artist. Anxiety rules much of Clowes’ world, but it’s the anxiety that comes with questions of identity and belonging—all wrapped in a quirky and hilariously human package. “Unlike most writers and artists who take it for granted that human beings naturally seek each other’s company,” writes friend and fellow cartoonist Chris Ware, “Clowes seems to keep asking: What is it we really want from one another, anyway?” It’s Clowes’ complex technique matched with such deep questions as that one that lead at least one critic to claim that Daniel Clowes has reinvented comics. Please come over to Picture This at Big Think to read more of "How Daniel Clowes Reinvented Comic Books."



[Many thanks to Abrams ComicArtsfor providing me with the image above and a review copy of The Art of Daniel Clowes: Modern Cartoonist, edited by Alvin Buenaventura.]

We all draw as kids, yet most of us stop drawing somewhere around the fourth or fifth grade. Doodles seem unserious by then, and adulthood only makes us less likely to draw. Ivan Brunetti’s Cartooning: Philosophy and Practice might be the way to rediscover, if not your “inner child,” perhaps your “inner cartoonist.” “This ‘classroom in a book,’” Brunetti (shown above) explains, “provides the aspiring cartoonist with a practical means for creative self-discovery and the exploration of complex ideas through the iconic visual language of comics.” Cartooning may be the medium, but self-discovery and self-exploration is the message. Please come over to Picture This at Big Think to read more of "How to Unleash Your Inner Cartoonist."

[Image: Ivan Brunetti (author photo featuring miniature desk). Photo credit: Kurt Lauer Photography.]

[Many thanks to Yale University Press for providing me with the image above and a review copy of Ivan Brunetti’s Cartooning: Philosophy and Practice.]