News Art Blog

According to a Pew Research study, if you count people who change from one type of Protestantism to another, “44% of American adults have either switched religious affiliation, moved from being unaffiliated with any religion to being affiliated with a particular faith, or dropped any connection to a specific religious tradition altogether.” This “very competitive religious marketplace” promises to only get more competitive, as percentages of young people either unaffiliated with a faith or totally unaffiliated being even higher. Why are these people taking their faith to the marketplace? What are they looking for? Is it some kind of different or higher experience? With the stir surrounding Marina Abramović’s current performance art piece, Marina Abramović: 512 Hours at the Serpentine Gallery in London, England, being described frequently as a “religious experience,” is it possible that performance art—the most often ridiculed, poorly understood, but perhaps most vibrant art form today—could be the new religion? Please come over to Picture This at Big Think to read more of "Is Performance Art the New Religion?"

With strikes in American nerve centers such as New York City, Los Angeles, Houston, and even Las Vegas, one artist this summer is waging a one-man World War Zof retrospective blockbusters. Get ready for “World War T,” led by James Turrell, an artist working in the elusive media of light and space, but who is almost unavoidable this summer by mainstream art audiences after nearly half a century of work. If you don’t know Turrell, you’ll know him by the end of 2013. This multi-venue spotlight on Turrell might finally tune in the spectators Turrell’s so long wanted to see the light. Please come over to Picture This at Big Think to read more of "Who Is James Turrelland Why Is His Art Suddenly Everywhere?"