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Mark Rothko only got as far as his sophomore year at Yale before fleeing that WASP nest of anti-Semitism and elitism. Forty-six years later, Yale awarded him an honorary degree in philosophy, but in the meantime the artist wielded his philosophy as much as his paintbrush in pursuit of a kind of painting that matched his kind of thinking. In the exhibitionand companion catalog Mark Rothko: The Decisive Decade 1940-1950, we follow Rothko’s path through ten years that saw no less than six distinctive styles of painting, but that resulted in one of the most recognizable signature styles in all of modern art. If you’ve ever wondered how Rothko became Rothko, “to understand Rothko—to see his artistic evolution, comprehend his goals and the means he used to realize them, to live his internal struggle to manifest the human soul and chart that manifestation,” writes Rothko’s son Christopher in the catalog, “one need only study the 1940s.” Please come over to Picture This at Big Think to read more of "When (and How) Rothko Became Rothko."



[Image: Mark Rothko, American (born Russia), 1903−1970. Untitled (Man and Two Women in a Pastoral Setting), c. 1940. Oil on canvas. National Gallery of Art, Washington. Gift of The Mark Rothko Foundation, Inc. 1986.43.53. ©1998 Kate Rothko Prizel & Christopher Rothko /Artists Rights Society (ARS), New York.]