When French-American artist Louise Bourgeois passed away in May 2010, most remembered her as the “Spider Woman” thanks to her Maman series—giant metal spiders scattered all over the world in a macabre modern art gesture of maternity. Literally trapped in the shadow cast by those mammoth mothers of her own invention, Bourgeois’ other work done over her nearly century-long life has been sadly neglected. Germano Celant’s Louise Bourgeois: The Fabric Works brings together for the first time Bourgeois’ mostly non-arachnid art. Taken as a whole, Bourgeois’ oeuvre seems a complex web of personal and philosophical associations, but Celant acts as the perfect guide to lead you not necessarily to safety—for Bourgeois is never safe—but to a greater understanding of this complex and important artist. Please come over to Picture This at Big Think to read more of "
Louise Bourgeois: Walking Through the Spider Woman’s Web."
[Image: Louise Bourgeois. Untitled, 2005. Fabric, 16 x 21 inches (40.6 x 53.3 cm). Ursula Hauser Collection, Switzerland.]
[Many thanks to Rizzoli for providing me with the image above from and a review copy of Germano Celant’s Louise Bourgeois: The Fabric Works.]
