News Art Blog

We all dream of mastering a skill like a pro—to skate like an Olympian, sing like an Idol, or go to the hoop “like Mike.” What if we could learn to see how an artist sees? “It’s so important to move through the world with this kind of wonder,” artist Bo Bartlett says of putting on an artist’s eyes in SEE: An Art Road Trip. “It all passes so fast.” Directed by Bartlett with his wife and fellow artist Betsy Eby and filmmaker Glenn Holsten, SEE challenges and inspires us to see the world through an artist’s eyes not necessarily in hopes of making art but, more importantly, in hopes of our appreciating the beauty that rushes past us and our high-speed everyday lives. Part road trip, part art history lesson, and part existential drama, SEE at all times conveys a vision of a more aware, more visually activated life that most of us only dream of but can finally experience, if only fleetingly, through these pros’ eyes. Please come over to Picture This at Big Think to read more of "Can We Learn to See How Artists See?"

Marching through the Met a few weeks ago, my family found ourselves suddenly in a room full of works by Francis Bacon, Frank Auerbach, and Lucian Freud. I motioned to my wife that we should shuffle through quickly to avoid troubling our 17-month-old son Jamie and 5-year-old son Alex, who just wanted to see some more of his favorite artist, Picasso. I remember thinking that, of the three, only Bacon was gone. Now, only Auerbach remains. Lucian Freud’s death a few days ago after a short illness at the age of 88 still is only sinking into the consciousness of those who think about art. Freud literally changed the face (and body) of portraiture in ways that even Bacon didn’t. Now that Freud is gone, some are asking if his end somehow marks the end of figurative painting itself. Please come over to Picture This at Big Think to read more of "Is Lucian Freud’s Death the End of Figurative Painting?"

[Image: Lucian Freud. Reflection (self portrait) (detail), 1985.]